MUSIC IN THE MARCHE 2012 FACULTY 

Jeffrey Peterson
Artistic Director and Vocal Coach

Pianist and coach Jeffrey Peterson has appeared in recitals and master classes on five continents, with such important operatic artists asMartina Arroyo, James King, and Teresa Kubiak, in venues as far-reaching as Hoam Hall in Seoul, the Marian Anderson Festival and Competition, and Manaus, Brazil. He has appeared at art song festivals in Cleveland and Delaware, and the Blossom Festival, and been part of cultural exchange cruises to Greece, Turkey, and South America. His performances have been broadcast on public radio stations in Ohio, Indiana, Illinois, and New Mexico,  as well as on WFMT in Chicago.

 

Dr. Peterson has taught at Indiana University, the University of Illinois, the University of Akron, and most recently  served on the Opera Studies Faculty at Northwestern University for  five years. While at Indiana University he helped design and teach a course in operatic role preparation, which continues to be one of the most popular offerings in that school’s vocal curriculum. He is a member of NATS, the Chicago Singing Teachers Guild, Phi Kappa Phi, and the College  Music  Society. 


Jeffrey Peterson earned the doctorate in Vocal Coaching and Accompanying at the University of Illinois, where he was the assistant to renowned pianist and coach John Wustman. He was also a recipient of the Nancy Kennedy Wustman Award in Vocal Coaching, established in memory of Mr. Wustman’s late wife.  Dr. Peterson has taught at several summer programs, including the Corso Estivo per Cantanti Giovani and The Italian Operatic Experience, both in Urbania, Italy; the New York Vocal Institute, of which he was co-director, and is currently in charge of Music in the Marche, a  program in Piobbico, Italy, which he founded and for which he is also artistic director. He is beginning his first year as Assistant Professor of Voice and Vocal Coaching at the Baylor University School of Music in the fall of 2010.




Rebecca Wascoe, voice


Rebecca Wascoe is an award-winning soprano known for her commanding stage presence and critically acclaimed as “vocally resplendent,” she brings a dramatic intensity to each role she takes on.   Some roles performed include Agathe in Der Freischuütz, Fiordiligi in Cosí fan tutte, First Lady in The Magic Flute, Nedda in I Pagliacci, Santuzza in Cavalleria Rusticana, Ann Putnam in The Crucible, Madame Lidoine in Dialogues of the Carmelites, Laetitia in The Old Maid and the Thief, The Witch and Gertrude in Hansel and Gretel, Mimi and Musetta in La Bohème and Nella in Gianni Schicchi.  Her solo repertoire includes major works by Beethoven, Mozart, Schubert, Mahler, Verdi and Brahms, amongst others. 

Additionally, Wascoe has twice been a winner of the Gerda Lissner Foundation Awards, and has placed in the Sigma Alpha Iota Graduate Performance Awards, she was also a Finalist in Charles A. Lynam and the Opera Company of the Quad Cities Competitions. She has been recognized as a finalist or semi-finalist in many other international competitions, including Merola, the Marguerite McCammon, the Dallas Opera Guild, Opera Birmingham, Irma M. Cooper Opera Columbus Competition, and the Licia Albanese Puccini Foundation.  She is a recipient of the Sigma Alpha Iota Doctoral Grant, and continues to present recitals throughout the United States . Current projects include a CD of sacred music by Mississippi composer, Len Bobo available through APAD Recordings, and a commissioned song cycle based upon the life of Mary Magdalene by American composer, Libby Larsen, which is scheduled to be premiered in the spring of 2012.  She was recently featured on the International Music Foundation’s Dame Myra Hess Memorial Recital Series, which was broadcast live n WFMT Chicago.  Upcoming concerts include a recital in Urbania , Italy in the summer of 2012, as well as being featured on the Altier Recital Series in Paris in the fall of 2013. 

Additionally, Dr. Wascoe will join the faculty of Musiche in the Marche , an opera training program in the summer of 2012.  Upcoming presentations include a featured presentation at the National Opera Association’s national conference in January, as well as the International Arts and Humanities conference in Honolulu , Hawaii .

Rebecca’s vocal training began in her home state of Texas , where she earned a Bachelor’s Degree in Musical Theatre from the University of Texas in Arlington . She also holds a Master’s Degree in Vocal Performance from the University of North Texas , where she studied with Lynn Eustis, Harold Heiberg, and Jeannine Crader. Her Doctorate in Vocal Performance and Literature was attained from the University of Illinois in 2008, where she studied with Sylvia Stone, Jeffrey Peterson, Julie Gunn and Thomas Schleis. Dr. Wascoe continues her vocal studies with John Wustman and Inci Bashar.  She is currently an Assistant Professor of Voice at Mississippi State University .


Stephen Lusmann, voice


During the course of his rich operatic career, baritone Stephen Lusmann has sung over forty leading roles with major opera houses including the Oper der Stadt Bonn, Opera de Monte Carlo, Stadttheater Luzern, Washington National Opera, Cincinnati Opera, Opera Company of Philadelphia, Boston Lyric Opera, Glimmerglass Opera, Florentine Opera, Opera Carolina, Opera Columbus, Anchorage Opera, Utah Opera, Opera Birmingham, Connecticut Grand Opera, Michigan Opera Theatre, Dayton Opera, Artpark, and tours with the New York City Opera.  He has sung with important conductors and directors including Leonard Slatkin, Christopher Keene, Bertrand de Billy, Franco Zefferelli, Gian Carlo Menotti, and Gian Carlo del Monaco.  

As an active concert soloist he has performed at Carnegie Hall, Alice Tully Hall in Lincoln Center, the Anchorage Festival of Music, Chautauqua Institute, Hill Auditorium, the Music Festival of Pettoranello, Italy, the Romanian/American Music Festival in Timisoara, Romania and with numerous symphony orchestras including the Buffalo Philharmonic, Sinfonieorchester Luzern, West Virginia Symphony, Little Orchestra Society of New York, Canton Symphony, and Shreveport Symphony.  His concert repertoire includes Brahms’ Ein Deutsches Requiem, Beethoven’s Ninth Symphony, Dvorak’s Stabat Mater, Handel’s Messiah, Mendelssohn’s Elijah, Vaughn Williams’ Sea Symphony, Mahler’s Ruckert Lieder, the Durufle Requiem and numerous Bach Cantatas, Passions, and the B Minor Mass.

On Recording Mr. Lusmann may be heard in Richard Strauss’ opera Der Friedenstag recorded at Carnegie Hall on the Koch International label, Operngala recorded at the Konzerthaus Luzern, Switzerland on Tonstudio AMOS, and on E.E. Cummings: An American Circus, songs by Logan Skelton recorded on the Centaur Records label.  He recently recorded two more CDs of songs by Logan Skelton that will be released in 2012 on the Blue Griffin label: Ohr Songs: The Mad Potter, Clyburn Songs: A Kind of Weather and Anderson Songs: Through the Eyes of an Islander. 

Stephen Lusmann is Associate Professor of Voice at the University of Michigan School of Music, Theatre and Dance and is also a member of the voice faculty at the Seagle Music Colony.  His students are having great success performing professionally in opera, concert, musical theater, and young artist programs.  They are also winning prestigious vocal competitions and teaching in elementary, secondary and higher education.  

 

Allen Saunders, voice

Bass Allen Saunders  holds an undergraduate degree in vocal performance from Marshall University in Huntington, West Virginia, and the Masters and Doctorate degrees from the renowned Jacobs School of Music at Indiana University in Bloomington, Indiana. Saunders was a voice pupil of Paul Kiesgen and Roy Samuelsen for modern voice, and Paul Elliott for instruction in early vocal practices. He has also maintained an active performing schedule, having sung major opera roles for the Indiana University opera theater, including Sparafucile in Verdi’s Rigoletto, Dr. Bartolo in Rossini’s Barber of Seville and The Doctor in Berg’s Wozzeck. Allen also sang Doctor Bartolo in Rossini’s Barber of Seville for Indiana Opera North, and Dr. Grenville in Verdi’s La Traviata and the Second Man in Armor in Mozart’s The Magic Flute for the Utah Festival Opera, and Sacristan in Puccini's Tosca at the Indianapolis Opera. In 2001, Saunders was the bass soloist for two performances of Mozart’s Requiem Mass in Russia with the State Orchestra of Russia in Moscow and with the St. Petersburg State Orchestra in St. Petersburg. More recent performances include guest soloist appearances in Frigyes Hidas’ Requiem at Middle Tennessee State University in October 2006 and bass soloist with The Viola da gamba Dojo of New York, directed by John Mark Rozendaal in November of 2007. In August of 2009, Saunders sang the role of Sparafucile in Verdi's Rigoletto for the Montana Lyric Opera. A Handel specialist, Allen recently presented a paper on Baroque ornamentation at The Hawaii International Conference on Arts and Humanities in January of 2008. Prior to joining the voice faculty at the Northern Arizona University School of Music in August 2008, he was the Coordinator of Voice at Indiana University-Purdue University Fort Wayne where he taught voice, diction, vocal pedagogy, song literature, and directed the IPFW opera workshop.



Mark Clark, opera scenes director


Mark Ross Clark has a unique career that has been “synergized” from his background as director, performer, and most importantly- teacher of young singing actors. He has directed opera and young singers in Brazil, England, Italy, Germany, and most recently this year young artists in the National Theatre of Taiwan.  His production of Susannah for the University of North Carolina-Greensboro won a national award from the National Opera Association, and he has guest-directed for many other U.S. regional opera companies and universities-most notably eight productions for the renowned Indiana University Opera Theatre, where he also taught the graduate and undergraduate opera workshop classes for nine years.  Clark has a doctorate degree in opera production, a hybrid degree of courses in music and opera history, drama, and dance from the University of Washington in Seattle.  He was a soloist with the Roger Wagner Chorale on tour for five years, and was a contract singer for the Giessen Stadttheater in Germany 1984-1987.  Dr. Clark is the author of two books for the young singer-actor: Singing, Acting, and Movement in Opera and Guide to the Operatic Aria Repertoire (Indiana University Press).  He has presented his Singer-getic®  workshops at universities and NATS regional conventions in 15 states, in Germany and Italy, and continues a full schedule of interactive workshops, directing, and writing. 



Alessandra Visconti, vocal coach and diction classes


Alessandra Visconti has been a member of various early music ensembles in the U.S. and in Europe and has performed  music from the middle ages to the baroque in England, Holland, Germany, Italy, Belgium and Japan. She has recorded with Dorian records and the Archiv label of Deutsche Grammophon and in 1998 she sang on the album “Creator of the Stars” which was honored with a Grammy nomination. She combines her interest in music and language by coaching singers in Italian and English diction, and serves on the coaching staff at Chicago Opera Theater and the Ryan Center for Young Artists at the Lyric Opera of Chicago. She lives in Evanston where she directs an ensemble at the Music Institute of Chicago and teaches Italian at Northwestern University.




Lucia Tosi, vocal coach

Lucia Tosi earned a diploma with honors in piano under the guidance of Paola Mariotti at the Rossini Conservatory in Pesaro, and a diploma in harpsichord with M.L. Pascoli at the Boito Conservatory in Parma. She has taken part in many chamber groups, giving numerous concerts in Italy and abroad.  As a harpsichord soloist she has appeared with the Petrelli chamber Orchestra in J.S. Bach’s Brandenburg Concerto #5. Signora Tosi has also served as a continuo player for several opera productions, including La Serva Padrona by Pergolesi, and  Il Maestro di Capella by Cimarosa.
From 1985-1997 Lucia Tosi was the head coach at the Rossini Opera Festival in Pesaro. She has worked regularly with an international roster of singers, directors, and conductors, including Rockwell Blake, Cecilia Gasdia, Jean Pierre Ponnelle, Graham Vick, and Roger Norrington. Signora Tosi is currently on the faculty of the Rossini Conservatory in Pesaro, where she in charge of the accompanying division.    

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